Lucia Lucia (2003) Review

Lucia Lucia  (2003)
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Director Antonio Serrano obviously holds his contemporary Pedro Almodovar in high esteem: he has found the same sharp edge between reality and fiction, uses some of the same actors, and most important, satisfies his audience with a first rate product.
LUCIA, LUCIA is a tour de force for the brilliant actress Cecilia Roth. Cast as the wife of a man she barely knows after many year of marriage, a man who mysteriously disappears on the eve of their Latin American holiday vacation, Roth moves from dowdy plain-Jane to sensuous beauty in the course of the story. Roth (Lucia) is a writer of children's books - silly stories about chickens and ducks illustrated by a young artist (Adrian) who is not only intelligent but also very handsome and passionate (Kuno Becker, in a career-making role - he simply has it all.) From the outset of the film Lucia talks with us, her audience, admitting that she has just related fantasies rather than truths, versions of her life that are far more intriguing than her boring existence. When she discovers that her husband has been 'kidnapped' she gathers the forces of Adrian and of Felix, an elderly gentleman who lives in her apartment (the always fine Carlos Alvarez-Novoa). This unlikely trio starts on a caper that is at once funny and tender because it is through the absurdities they encounter that each finds himself and acknowledges their mutual love. Lucia manages to show us various scenes of the same incident, each colored by her imagination and her desire to be more than she is: she has a passionate affair with Adrian who is young enough to be her son, she manages to compensate Felix for this intelligence and guidance and his obvious love for her though he is old enough to be her father! In the end (and the end comes only after a well calculated intrigue that involves government corruption, hostage settings, etc) Lucia has found herself - 'discovering new places is viewing the world with new eyes' - and lives happily alone, writing serious novels.
The movie is in Spanish with English subtitles, is beautifully photographed and well directed and edited. But it is the powerful presence of Cecilia Roth that makes this movie sing. Add to that the magnetic gifts of the handsome and talented Kuno Becker and the grace and experience of Carlos Alvarez-Novoa and the result is a very gratifying - strangely bizarre - movie.

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