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(More customer reviews)It is no surprise that The Impostors didn't do much at the boxoffice. In a time when gross-out comedies are the rule, this stylish, charming effort is definitely the exception. What modern audiences may not realize is that comedy covers a rather broad area. Way back in the 1930s, W. C. Fields was doing now classic movies which were rude, crude and very funny, depending on what you finds amusing. In those days - and for the next fifty years - many different types of comedies were made. Perhaps today the media tends to want to believe the public's tastes are universally the same. I know that Hollywood's marketing strategies seem to come from one common pool of thought, which is why it often cannot market anything not fitting a certain mold.
The Impostors is a fond tribute to a gentler form of humor. Writer, director and star Stanley Tucci has proven with this and 1996's Big Night that he is one of our brightest independent film makers. His biggest attribute is his ability to make us laugh at certain stereotypes without ever being cruel. His is a loving touch.
The time seems to be the 1940s. Tucci and Oliver Platt play Maurice and Arthur, who are best friends and very out of work New York actors. Maurice is tall and thin and seems to be the heart of the pair, while short, chubby Maurice is its brain. Trying to con a baker out of some pastries, they wind up getting tickets to a production of Hamlet instead. During the performance the star, whom they can't stand anyway, winds up getting too drunk to finish the play. Later, in a bar, they are caught by the actor doing a rowdy impression of him. He becomes irate, and in the ensuing chase, the two somehow wind up as stowaways on a luxury liner. Naturally, the star winds up being one of the boat's passengers.
The ship is peopled with delightful eccentrics, including a broke socialite and her depressed daughter, a deposed queen, a gay tennis star, a psychotic Arabian sheik and a couple of fortune hunters. For the most part, the crew is equally mad, and Maurice and Arthur find themselves trapped in this madhouse at sea.
The film is full of sight gags and one-liners, most of which work. Lili Taylor, who later this year will appear as Eleanor in the remake of The Haunting and as Janis Joplin in the movie of the same name, is delightful as the sympathetic social director. Steve Buscemi nearly steals his scenes as a heartbroken crooner ironically named Happy Frank.
I really enjoyed this little jewel, and a most viewers with a sense of the absurd should, too. I even liked the movie's tag line. "Why be yourself when you can be somebody else"? I am really looking forward to Mr. Tucci's next effort.
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Meet Authur (Stanley Tucci) and Maurice (Oliver Platt), two out-of-work actors who escape from the police by stowing away aboard a luxury liner. But soon the ship hits the fan, and the impostors must give the performance of a lifetime - not only to evade the authorities, but to foil the dastardly plot of a deranged crewman who has explosive plans for eveyone on board.
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