The Rose (1979) Review

The Rose (1979)
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Those of us of a certain age well remember the ultra-talented and ultimately doomed 60s icon, Janis Joplin.
In this thinly disguised Joplin biography, Bette Midler outdoes herself as an out-of-control, incredibly talented, self-destructive singer who turns to the bottle, sex, and anything else she can to hide from her intense inner pain. It sounds like a cliche, and by now it is, but that was Janis--and Bette does her one better. Her angst shines through with great poignancy, even when she is belting out hit after hit, responding to her audience as though she is making love.
Hard living, hard boozing, and bent on destroying herself, the singer has us riveted to her story. Her tearful phone call to the father who never approved of her is one of the high points of the film: Bette pulls out the stops.
Alan Bates is divine as always as the singer's manager, but this film belongs to Bette. If you are not aware of Midler's incredibly wide-ranged talent, this is the perfect movie. It can make you a lifelong fan.

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In an Oscar-nominated performance, Bette Midler portays a rock star whose success is laced with so much booze, drugs and hard-living, it eventually causes her downfall. Trapped in a self-created hell Rose begs her manager (Alan Bates) for time off from her concert tour. When he refuses, she seeks compfort and love in the arms of a handsome driffter (Frederic Forrest), but even he cannot handle her life of excess. Electrifying musical numbers, including the hit song "The Rose" make the film a pop culture classic.

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