Monteverdi's L'Incoronazione Di Poppea Review

Monteverdi's L'Incoronazione Di Poppea
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In addition to a large collection of (mostly) Baroque operas on CD, I have over 75 operas on DVD, some in more than one version, as well Monteverdi's other two operas on DVD, which are also incredible. But this recording of L'Incoronazione di Poppea takes the cake, whether in terms of the beauty of the music, the effectiveness of the staging and costumes, the quality of the acting and singing of the principals, or even the dramatic and literary intensity of the story. The video recording is a little old, so the picture is slightly grainy, but the sound quality (though only in Dolby stereo) is incomparable, the production and conducting without peer. I am quite sure I will still feel the same after viewing it ten or fifteen times, though so far I have only watched it twice. This is a must-buy for any lover of Baroque music, and it is one of the operatic masterpieces of all time. It should be included in every course in the history of opera.

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L'incoronazione di Poppea is Monteverdi's final opera, written when he was 75, and it is often considered his best. It was first performed in Venice in 1642 and a manuscript with the composer's own markings survives to this day. The opera tells the amoral story of Nero's affair with the scheming and seductive Poppea, here portrayed by Maria Ewing, with evil triumphing over good, while the allegorical figures from the Prologue - Fortune, Virtue, and Love look on. This sparkling new production by Sir Peter Hall, Director of the National Theatre and Artistic Director of Glyndebourne itself is designed by John Bury and conducted by Ramond Leppard, the celebrated authority on Baroque music, who made this modern edition of the opera and has conducted his edition in many opera houses worldwide.

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