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(More customer reviews)A Corelli's superb live performance. Though image is not the best, sound is quite good and Franco seems to feel comfortable singing.
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On this tape Franco is very much himself. He sings to theaudience as he sang to me in his living room--with the same gestures andmannerisms. And they love it! He flings himself into the encores with wildabandon. Gives spinal chills. The most personality of any Corellivideo.Listen to Corelli play with the tempo in Ernesto De Curtis's "Tu ca nunchiagne." He introduces ritards and accelerations. Or listen to F. PaoloTosti's "'A Vucchella," where Corelli twice eases back into tempo after(unduly) long fermatas. Yet he told me, "I didn't do rubato for fear ofbeing squadrato [not with the conductor's beat]." In this concert he issquadrato in "O paradiso," on the word "paradiso."The reality may have been that he was willing to sing with flexibility oftempo when with piano accompaniment, as in the De Curtis and Tosti songs,in which he sings with piano after the orchestra has left thestage.--Stefan Zucker
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