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(More customer reviews)I first heard about this performance (Tosca) nearly 30 years ago when I was a teenager and new to the world of opera. Since then it had stuck in the back of my mind, occasionally being brought intensely to the forefront whenever a snippet of it was shown during the occasional documentary.
Here it is, after three decades, it's going on 2 a.m., and I've had one of the most profound experiences in recorded opera.....whew!
First of all, this is a barebones dvd: Chapter list and some brief but interesting notes in the accompanying liner.
Then there are the performances...Callas in concert at Covent Garden in 1962. "Tu che la vanità" from Don Carlos, plus the Habanera and Seguedille from Act 1 of Carmen. Callas sings with the expected intensity in the Verdi, and with atypical jovolity and coyness in the Bizet, which are all ably conducted by the young Georges Prêtre. If this were the entire content of this dvd, it would be worth the cost.
But along comes Act 2 of Tosca, from two years later. Holy Toledo! Renato Cioni sings Cavaradossi just adaquetely, and not really serving a whole lot of dramatic purpose with a standard performance. Robert Bowman as Spoletta and Dennis Wicks as Sciaronne are better in their acting, but not very impressive vocally. The conductor, Cillario, leads without much insight...again, standard opera fare.
Obviously, the big bucks went to Callas, Gobbi, and Zeffirelli who all certainly earned their pay. Callas and Gobbi had seen better days vocally, especially Callas who, though in pretty good voice, sounds downright nasty here and there. But those very few exceptions are far and few in between.
Here are two masters, two artists at the very top of their craft, two legendary performers giving a definitive performance of sight and sound. From the beginning of the act, Gobbi dominates with a presence that few could ever hope to do. And when Callas finally enters, the sparks fly. Nearly every gesture, every vocal inflection, every subtle nuance carries weight that cannot be measured. There are very very few moments of stage mannerisms, so complete are their portrayals. While not always pretty vocally, they show off to the world why they dominated the opera stage during their prime. The intensity they create together is incredible, seldom letting up in the cat and mouse game they play.
Technically, the picture is good, but not great.Pretty good by early 60's television standards. The camera work for the most part is well done, save for a few instances of poor angles or exclusionary closeups that can be pretty frustrating.Overall, it is quite good.
Zeffirelli, the ultra conservative, directs a wonderful production,but when you go back in time, you see how little he really changes over the years.
For all it's relatively minor shortcomings, this is one of the greatest operatic moments on film. The earlier clips are priceless, but after a (literally) hair raising Tosca, you may barely remember them! 5 stars to the 10th power! Thank you EMI!
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