Christmas with Bing Crosby and Kate Smith Review

Christmas with Bing Crosby and Kate Smith
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Beware...this DVD is in Black & White, not color as advertised! It is a b/w kinescope of the 12/24/66 episode of ABC-tv's Hollywood Palace. The show originally aired in color.

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No Quarter - Jimmy Page & Robert Plant Unledded (1994) Review

No Quarter - Jimmy Page and Robert Plant Unledded (1994)
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Ex-Led Zeppelin vocalist and lyricist Robert Plant always said that the true spirit of Led Zeppelin as represented within a single song was more evident in "Kashmir" than it was in AOR standby classic tracks like "Rock & Roll" and "Black Dog"; the notion that a hard rock blues-based band of English white boys who practically invented the heavy metal music genre could in fact be considered the godfathers of "World Beat" music a full generation before Peter Gabriel came along is conveniently overlooked by Western rock music fans, as is the notion that the principles of Eastern music (in terms of Indian and Arabic theories and applications) were far more prevalent within Led Zeppelin's work than that of the Beatles, typically more associated with Indian music thanks to George Harrison's association with Ravi Shankar.
This outstanding live performance recorded 10 years ago as of this writing is a fantastic example of Plant's opinion and the Led Zeppelin vision of musical exploration gloriously realized. As detailed within the interview included with this DVD's bonus features, Plant and guitarist/co-songwriter Jimmy Page chose a set that lent itself well to a broad interpretation and that reflected less the brute force of the riff-driven heavy metal classic tracks that permeate albums such as "Led Zeppelin II" and their self-titled 4th album (although "Four Sticks" and a wild reinterpretation of "When The Levee Breaks" are included) and more of the songs crafted as introspective compostions from "Led Zeppelin III" and "Houses Of The Holy".
This is not Led Zeppelin in their prime; that would be "How The West Was Won". And in truth John Paul Jones' absence is much lamented by this listener as he may well have been the best musician in the band and was the unifying force keeping them together during their last years...but the musicians filling in for him and the late John Bonham are certainly competant and their absence tugs at the sentiment of the heart rather than the sensitivity of the ear.
But for me the accompanying musicians are what really makes this set go. This is not a case of adding an extra guitarist (i.e., Pat Smear from the "Nirvana: MTV Unplugged" concert); the musicians added to this performance play every thing from banjo to hurdy-gurdy to native Arabic lutes, in addition to both Western and Eatern string sections as well as Arabic percussion specialists. The culmination of the meshing of musical talents and the melding of musical sensibilities is no better realized than in the epic performance of "Kashmir", my personal favorite Led Zeppelin song (and perhaps my favorite song by any performer). The song is hardly recognizable as the 8-plus minute classic rock radio staple; it has instead become the living embodiment of the spirit of the band and with its new energy surpasses the original studio recording whose orchestral sounds were generated from an early synthesizer (by John Paul Jones); the energy and the determination exhibited by the lead and supporting musicians during its performance is thoroughly inspiring and worthy of one of the finest performances in contemporary rock history.
This is a tremendous sampling of a band broken down to its most musical elements. Not specifically rock, folk, or even acoustic. Just evidence of the work of one of the finest bands to ever record. All the elements are there; you owe it to yourself to partake of them.

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Performing with the London Metropolitan Orchestra in 1994, Unledded documents the much-heralded reunion of Jimmy Page and Robert Plant. Among the songs performed are reworked versions of many Zeppelin favorites, including "The Battle of Evermore," "Gallows Pole," and "Kashmir," along with four new songs, such as "Yallah" and "Wonderful One." The platinum-selling Unledded cd heralded a new era or renewed popularity. Released now for the very first time on DVD, Unledded is the DVD Led Zeppelin fans have been waiting for. Track Listing: No Quarter Thank You What is And What Should Never Be The Battle of Evermore Gallows Pole Nobody's Fault But Mine City Don't Cry The Truth Explodes Wah Wah When the Levee Breaks Wonderful One Since I've Been Loving You The Rain Song That's The Way Four Sticks Friends Kashmir

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The Original Three Tenors Concert (2007) Review

The Original Three Tenors Concert (2007)
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This is one of those events, whether musical or otherwise, that comes along once a generation. The result is that everyone remembers where they were when....
In my case, I was pottering around at home, blissfully unaware of anything, when my Dad phoned me and said "Turn on your TV - three guys are singing beautifully." I did, and the rest is history.
I'm a professional musician and can't pull out bits or say where people were better than others. Pavarotti was aureate and majestic, his great bulk filling the space, singing with his entire face....Jose Carreras wonderfully intense and sensitive, like the younger brother, keen to impress and seeking approval (later bravely to fight his own health battles)....and Domingo was mischievous and competitive.
Zubin Mehta held the whole event together brilliantly, part authoritative, part conspiratorial. In the magical setting of Caracalla, the whole was greater than the sum of its parts.
It was the best jam session ever, and if you haven't seen it, you've been deprived. If you have, you'll want it again.

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Pink Floyd - Pulse Review

Pink Floyd - Pulse
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It's hard to find words for what I experience when viewing this video. My husband and I watched it for the first time together and afterwords we agreed we'd have to watch it again to be sure that what we saw was real. This may be a BIT exagerated - but not much! The visuals on this film are extaordinary! The light show is amazing and so well choreographed! The sound is SO good and the musical quality SO superb that I have actually begun to PREFER many of the cuts to the studio versions! I've fallen in love with David Gilmore whose smile makes him look little boyish and sweet. The newly added Floyd musicians look like they cannot BELIEVE who they are on stage with and are having the time of their lives. 145 minutes of SHEER bliss from the first note to the very last! THREE SONGS for an encore - you cannot believe it when it happens! You imagine what you would have thought being at this concert and even getting ONE encore song - when they come out with THREE you are blown away - and they are lavishly done! I don't understand some of the reviewers saying that Gilmore seemed bored and unhappy to be there - seems to me that he is either concentrating on the current guitar lick or smiling at one of the other band members -trust me - he smiles a LOT in this video. I could go on and on but I won't. Let me just say that having already purchased this video I will be one of the first to put out more money the DAY this one comes out on DVD - as soon as we heard that it was scheduled for release on DVD in early 2000 we went out and bought a DVD player - THAT'S how much we loved this concert! My ONLY regret is that I missed it live and it was only 2 hours away from where I live! SIGH... well THAT won't happen again. For someone who wasn't sure she would like the Floyd without Roger - I have become one of their biggest fans! It also renewed my interest in the Division Bell which I had previously not given much time to. Now I am a devotee of that CD as well. Ok - now buy it! OR wait for the DVD! Enjoy.

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This landmark DVD features the first ever film of Pink Floyd playing the band's seminal album, The Dark Side of the Moon, live in concert. The set documents the 1994 Division Bell tour and was filmed at London's Earls Court during a record-breaking 14-night residency. The two-disc release contains the full concert performance with rare backstage footage and previously unseen extras making the collection a must-have for Pink Floyd fans. Track Listing:1. Shine On You Crazy Diamond (Concert Version)2. Learning To Fly3. High Hopes4. Take It Back5. Coming Back To Life6. Sorrow7. Keep Talking8. Another Brick In The Wall (Part 2)9. One Of These Days10. Speak To Me11. Breathe In The Air12. On The Run13. Time14. The Great Gig In The Sky15. Money16. Us And Them17. Any Colour You Like18. Brain Damage19. Eclipse20. Wish You Were Here21. Comfortably Numb22. Run Like HellFeaturesConcert Footage Restored, Re-Edited And Presented In Its Original 4:3 Aspect RatioNew 5.1 Surround MixScreen FilmsBootlegging The BootleggersVideosSay Goodbye To Life As We Know ItWish You Were Here With Billy CorganPhoto GalleryTour Stuff

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Marty Robbins At Town Hall Party (1959) Review

Marty Robbins At Town Hall Party (1959)
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Marty Robbins was a delight on stage as he was on record. He just had a wonderful charisma about him. Thanks to Bear Family for unearthing this unique viewing of Marty singing many of his fifties hits. Also great to see the Glaser Brothers who were then supporting Marty at the time. Not sure about the Joe Hudgins appearance though it was good for a laugh. Sometimes the picture and sound quality isn't that great but what the heck it's just great to see and hear Marty singing 'live.'
Any fan of Mr Teardrop will love this d.v.d.

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9/11: The Falling Man ( 9/11 The Falling Man ) Review

9/11: The Falling Man ( 9/11 The Falling Man )
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I remember on September 11, 2001, looking at the on-line pictures of people hanging from the broken windows of the World Trade Center, and those of people falling, and they spoke to me on a very deep level. And so, I was outraged when days later the pictures were removed - censored - erased from the public's mind. I always remembered the pictures, and I mourned their suppression.
The most famous of the pictures was "Falling man," which had been photographed by Associated Press photographer Richard Drew. Canadian journalist, Peter Cheney, began an investigation, hoping to identify the falling man, but his search quickly identified a deeper mystery - why had the images of the falling people been expunged from the public memory? And, what did it say about America, and the 9/11 tragedy? This is the story behind the "Falling man," telling the story of the tragedy, and the story of the search for the man himself.
I must say that I really found this to be really interesting and moving documentary. On one level, it was very informative, telling me about the attack and about the man in the photograph. But, on another level, it told me a lot about how people chose to see the pictures of the falling people, and what they meant to them. People wanted to see the personal side of the tragedy objectified in the person of the heroic rescue workers, and chose to see the material side of the tragedy objectified in the collapsing building. The "Falling man" undermined this handy coping mechanism, forcing people to see the personal side of the tragedy in the very personal fates of each and every one of the men and women who died that day.
This is a very important film about 9/11, one that I highly recommend to everyone who is interested in understanding that day. Indeed, I give this movie my absolutely highest recommendations.

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Verdi - Il Trovatore / Bonisolli, Plowright, Zancanaro, Cossotto, Washington, Giovaninetti, Verona Opera Review

Verdi - Il Trovatore / Bonisolli, Plowright, Zancanaro, Cossotto, Washington, Giovaninetti, Verona Opera
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It is a large-scale production.
The camera focuses at the beginning on the audiance to illustrate how many people are there.
It is open-air and still a very good sound quality.
Perhaps due to the singers.
The cast is very strong, in the virtuosic aspects:
Bonisolli does not posses the prettiest of voices, but his technique is electrifying, and I enjoyed his Manrico very much.
Zancanaro has a great voice; I have him also singing in Butterfly and Don Carlo and he is terrific.
Plowright sings and acts well, although she missed the high C at the end of act one (Bonisolli backed her up).
What is special about this dvd is having Fiorenza Cossotto.
Yes, there are many available recordings of her in that role, but this is her last (as far as I'm aware of).
She is still in full control of the range and dynamics - she hits the high B flat with no difficulty.
Plus, her experinece as Azucena is vast and it is shown.
Her quality of voice is less refined than it used to be - most apparent is the heavy vibrato, but that fits the part.
She has always sounded too high, and she still does, but at least she sounds old ;)
The conducting is no more than conventional, but it's not necessarily a bad thing.
Buy this for Cossotto's most mature Azucena!

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Ladysmith Black Mambazo - In Harmony: Live at the Royal Albert Hall (1939) Review

Ladysmith Black Mambazo - In Harmony: Live at the Royal Albert Hall (1939)
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I used to be in a choir. Whenever the director wanted us to do more than just sing the notes, she would mention Ladysmith Black Mambazo, like these guys knew how to do what she wanted, and anyone who bought a CD at the time could hear the luscious sound of a large group simultaneously thinking the same thing on an emotional level that would strike home in people's souls. After Paul Simon used them on his "Graceland" album, it wasn't hard to hear what they sounded like. Most people might have a language problem on "Phansi Emigodini (Deep down in the mines)." Not being able to identify the meaning of words in an African language can be an obstacle to paying attention, but they sign what they are doing with their hands and feet. The DVD jacket calls it "tiptoe dancing," but it is so much more. The whole group is adept at waving their hands and feet around in the air, and the more you watch them, the more fun they let themselves have. Americans have gotten used to a lot of individual star performers, but these guys cavort like letting their souls loose is the most contagious behavior on the planet. Our kids must be learning stuff like this in school. It is hard to understand them, but do they care?

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Studio: E1 EntertainmentRelease Date: 09/16/2003Run time: 75 minutes

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Jeremy Camp - In 24 Review

Jeremy Camp - In 24
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Came as advertised and in a timely manner.
As far as the DVD, it's like a 3. Short live video and if you like Jeremy you might like the interview portions.

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Jane Monheit - Live at the Rainbow Room (2003) Review

Jane Monheit - Live at the Rainbow Room (2003)
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I first found out about Jane Monheit from a very interesting piece on CBS's "Sunday Morning" show. Over next few years I become a fan of this young classically trained singer, who has brought some new blood to the classic pop genre. I was surprised when I found out she had a live performance on DVD.I had accidentally plugged in her name into Amazon's DVD section and the "Live at the Rainbow Room" title popped up. Well it was a lucky accident, because "Live at the Rainbow Room" presents Monheit in a delightful, intimate performance, that is a musical treat.The performance is mainly a showcase for her third and newest album, "Into the Sun", but also manages to mix other tunes from her older CDs. She has a wonderful voice, which is at home singing every thing from pop classics such as "Cheek to Cheek" and "Tea for Two" to more modern fair such as "Love Has No Pride" and "Waters of March". My personal favorite of the set is the classic opening number, "Over the Rainbow". Moheit starts the song off by singing in a low accapella and then is slowly joined in by the orchestra. It is moving and emotional reading of the Arlen standard, which really shows off, what a pure talent she really is. Other highlights include a steamy version of Duke Ellington's "Just Squeeze Me" and a rousing rendition "Hit the Road to Dreamland". Monheit works well with the orchestra (which includes bass legend Ron Carter) as well as the smaller group configurations and soloists.She presents a friendly and light hearted personality, which really shines in this concert. The world famous 'Rainbow Room' turns out to be an wonderful small, intimate venue for the show.As a viewer I felt like I was there. The DVD's picture and sound quality are excellent.It also includes a short featurette, which includes interviews and rehearsal footage. If you are a fan of Jane Monheit or classic pop in general, then I highly recommend "Live at the Rainbow Room".

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LIVE AT THE RAINBOW ROOM - DVD Movie

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Christmastime in Vienna (Domingo/Kaas/Fernandez/Mercurio) Review

Christmastime in Vienna (Domingo/Kaas/Fernandez/Mercurio)
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I'm a huge film buff, but if I could only have one video, this would be the one I'd choose. Recorded live in December of 1998, it's what Christmas is all about. There's a peace I feel when I play this. It puts a smile on my face and in my heart.
Plácido Domingo ! Such warmth and goodness flows from this man, and with his magnificent voice and elegance, he's one of the all-time greats.
Alejandro Fernández is beyond description. What a gift from God to the world this man is ! The voice, the soul, the beauty, the grace. You have to hear and see this to believe it.
The stunning Patricia Kaas, with her sultry unique style, is wonderful, and she has a strong enough presence to hold her own between these two extraordinary men. The children's chorus is exquisite, the orchestra, conducted by Steven Mercurio, is superb, and the editing terrific.
There are so many wonderful songs..."Blanca Navidad" ("White Christmas") is a blessing captured on video, and is truly "Un mensaje de amor y de paz". I love "Have Yourself a Merry Little Christmas", "Hay que Sembrar en Navidad" with its beautiful, moving lyrics, and the glorious "Silent Night" finale...and so much more.
There aren't enough stars to give this video, or words to recommend it. Just buy it and let it lift your spirit and fill your heart with joy any day of the year.

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Daniel O'Donnell & Friends (2003) Review

Daniel O'Donnell and Friends (2003)
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I purchased this video for my 81 years young mother. She adores Daniel O'Donnel's music. She has nearly worn out the video. As I write this, my 82 year old mother in-law is not only enjoying the presentation, she is giggling,humming and singing along with it. Yes, Daniel O'Donnell may not be for the Irish purest or younger generation but,at 54 myself, I have no trouble enjoying this man's performance of old Irish balads, a little mix of country artists, some Elvis, and he is now singing "How Great Thou Art." My mother in-law said "This is better than any movie!" I am about to order two more copies.

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The Titfield Thunderbolt (1953) Review

The Titfield Thunderbolt (1953)
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This can sometimes be found in ntsc dvd format on ebay. The
movie (in which Hugh Griffith steals many of the scenes) is
about how some of the people of Titfield buy up and run a small
branch railroad line to prevent the intended government
closure. Men from a competing bus line do their best to
sabotage the operation of the branch line, including destroying
the line's only engine at a crucial time--the night before the
government certification on the branch line. The line operators
resort to taking the Titfield Thunderbolt from a museum and
using that engine to get certification for the line. In
reality, the Titfield Thunderbolt is actually the 0-4-2 Lion,
built in 1838--so there are wonderful scenes of this working
antique in beautiful condition chugging along on its 10-mile
(or so) journey down the tracks--no special effects needed here!
The comedy is whimsical, not slapstick, and most of the acting
is excellent. Hugh Griffith (who may be best known for his
role in Tom Jones) plays the engine driver, and from time to
time blasts away with his shotgun from the engine, slams on the
brakes, and trots out to retrieve a rabbit or pheasant. Good
fun all around!


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The Wonder Of Christmas with the Mormon Tabernacle Choir and Orchestra at Temple Square (2004) Review

The Wonder Of Christmas with the Mormon Tabernacle Choir and Orchestra at Temple Square (2004)
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This DVD is an almost complete recording of of the Mormon Tabernacle Choir's Chistmas Concert from Dec 2003. I went on the first night and was so taken by the performances that I returned for the next evenings performance and the Sunday morning shortened version for their Music and The SPoken Word Broadcast.
All I can say is that this is a MUST HAVE DVD for the Christmas Season. Bryn Terfel and Frederica Von Stade were the guest soloists with the choir, and Bryn Terfel was simply stunning. A highlight of the concert (although it is difficult to choose) is when Mr. Terfel sang SUO GAN. It was breathtakingly beautiful. In fact the person who was with me at the concert cried upon hearing it. The Choir also does a traditional African folk song which must be seen to be believed. It was just one of those amazing experiences.
An added treat is the brief interviews with Bryn Terfel, Frederica Von Stade, and Craig Jessop and Mack Wilberg. It is refreshing to hear world class artists speak not only about music, but of their personal feelings regarding Christmas itself, and about performing this wonderful program. It left me even more impressed with the performers than before (if that is possible)
I was fortunate to purchase this item at its pre release discounted price, but it is easily worth the cost which is now being asked.
Buy this disk you wont be disappointed.


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Lita Ford - The Complete Video Collection Review

Lita Ford - The Complete Video Collection
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To clear the air (excuse me), this is not a complete music video collection, this is a complete video collection, meaning all of her VHS Video releases are re-released on this DVD. Lita released 3 VHS videos in her solo career they are Lita XX (Live from Wembley), Midnight Snack and the Dangerous Videos vol 1.
Now there are some music videos missing most notably Out for Blood, but that and about 2 or 3 other videos were never released on any VHS form. But this is an essential collection as it contains the music videos for Kiss Me Deadly and Close My Eyes Forever (with OZZY!). The live concert is killer, Lita is so sexy struttin' her arse all over, it's worth it just to see that! Definitely for fans of 80's metal.

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The Best Of Hootenanny (1963) Review

The Best Of Hootenanny (1963)
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Over the past years, we 've become very accustomed to the pristine digital sound and high-def images of the modern DVD. As such, the not-so-sharp black-and-white images and less-than-perfect sound quality of this DVD might turn off some audio/video purists. [The sound and picture are not bad by any means; they are just not up to modern-day standards.]
I am not such a purist, so I was easily transported back to Saturday nights in 1963 and 1964 watching "Hootenany" on the old black-and-white TV. Jack Linkletter was an affable enough host, who would give a brief plug for the college campus they were on and then introduce the folk acts. Most of the major folk acts were there and did two songs at a time: The Chad Mitchell Trio, the Limeliters, the Brothers Four, Judy Collins, Bob Gibson, Theodore Bikel, Joe and Eddie, Ian and Sylvia, the Travelers Three, the New Christy Minstrels, et al.
The Kingston Trio and Peter, Paul, and Mary were not on the show. The story I always heard was that it was in protest for Pete Seeger not being allowed on the show (because of his McCarthy-era blacklisting). Or maybe they just didn't need the exposure Hootenany gave the other acts. Given that the show did allow the Chad Mitchell Trio to do their famous broadside "The John Birch Society" (it's on the DVD), apparently the producers weren't that afraid of offending the right-wing nuts of the day.
It's fun to contrast the acts on the show with current acts that one sees on Saturday Night Live, Leno, Letterman, etc. Nowadays, the performers all sing and play into their own mikes, wear T-shirts and jeans, and have scruffy hair. Back then on the Hootenany show, almost all the performers in a group sang and played their guitars into a single mike; all the men wore white shirts, skinny ties, and sport coats (or Mr. Rogers-type sweaters), and the women all wore dresses; and they all have short hair. (I'm not passing judgement on either era; I was just amused by the contrast.)
The acts included a mix of mostly folk, with some bluegrass (e.g., Flatt and Scruggs and the Dillards), gospel (e.g., Clara Ward Singers), old-timey (e.g., the Carter Family), blues (e.g., Leon Bibb), and comedy (e.g., Woody Allen and Vaughn Meader doing his famous John Kennedy spoof -- pre-assassination, of course).
On many of the songs, the audience was invited to sing along (after all, it was billed as a hootenany). As a graying baby-boomer, it was a lot of fun for me to relive the innocence and optimism of the early 60's before the assassinations, the war, the riots, Watergate, the culture clashes, etc. It was just a lot fun.

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For the first-time on home video, a deluxe 3-DVD set of thehit ABC show that started the '60s! In the pre-Beatlemania days of April 1963, a weekly folk music concertcalled Hootenanny found its way onto the American televisionairwaves. Originating from various college campuses, the show featuredartists that were thriving on the coffee house and college circuit, likeJudy Collins, Trini Lopez, Jimmie Rodgers, the Chad Mitchell Trio, theBrothers Four and Bob Gibson. Hosted by Jack Linkletter (the son of TV legend Art Linkletter),Hootenanny was also a showcase for young comedians, including BillCosby and Woody Allen. And Hootenanny, not limiting itself to folkartists, also featured gospel, jazz and country performers, including ClaraWard, the Carter Family, Marion Williams, Herbie Mann, Hoyt Axton, EddyArnold, Flatt & Scruggs and Johnny Cash--all usually performing in the folkidiom, or something close to it. A few young future rock performers also made early appearances onHootenanny. Look for John Phillips, who would later go on to formThe Mamas and the Papas, as a member of the Journeymen. Carly Simonperforms as one half of the Simon Sisters and Barry McGuire, who would soonhave a number one hit with Eve Of Destruction, can be seen with the NewChristy Minstrels. By 1964 the Beatles had arrived in America, essentially ending the folkmusic craze that had started only a few years before. Hootenannywould soon be replaced by Shindig! All of the videotapes ofHootenanny are lost--most likely erased and recycled during a timewhen no one imagined folk music would matter again. But fortunately theshows were preserved on kinescopes, films made from a television monitor.These kinescopes of Hootenanny form a musical time capsule of theshort-lived era in American popular music--in between Elvis Presley and TheBeatles--when folk music was all the rage. More than 80 songs including: Froggie Went A-Courtin', He Was A Friend OfMine, Midnight Special, C.C. Rider, Cottonfields, Turn Turn Turn, If I HadA Hammer, Wayfarin' Stranger, Wimoweh and Ole Blue With performances by: Eddy Arnold, Hoyt Axton, Leon Bibb, Theodore Bikel, The Brothers Four, Bud& Travis, The Carter Family, Johnny Cash, The Chad Mitchell Trio, TheClancy Brothers and Tommy Makem, The Clara Ward Gospel Singers, JudyCollins, The Coventry Singers, Dian & The Greenbriar Boys, The Dillards,Lester Flatt & Earl Scruggs, Bob Gibson, Ian & Sylvia, Joe & Eddie, TheJourneymen, The Limeliters, Trini Lopez, Miriam Makeba, Herbie Mann, TheNew Christy Minstrels, Richard & Jim, Jimmie Rodgers, The Rooftop Singers,The Serendipity Singers, Mike Settle, The Simon Sisters, The Tarriers, TheTravelers Three, Doc Watson, Josh White, Jr., Beverly White, MarionWilliams And comedy by: Woody Allen, Bill Cosby, Vaughn Meader, Louis Nye, Jackie Vernon

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State Fair (1945) Review

State Fair (1945)
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This lovely new 60th Anniversary DVD edition of STATE FAIR is a must for all musical fans and Rodgers and Hammerstein II enthusiasts. Featuring the duo's only score written exclusively for Hollywood, and based on the novel by Phil Stong (which had been previously filmed, very successfully, in 1933 with Janet Gaynor and Will Rogers), the musical STATE FAIR is full of homespun charm and lovely performances, enhanced by Technicolor photography and of course the accomplished R&H score.
During their annual visit to the Iowa State Fair, the Frake family enjoy many adventures. Proud patriarch Abel (Charles Winninger) has high hopes for his champion swine Blueboy; and his wife Melissa (Fay Bainter) enters the mincemeat and pickles contest...with hilarious results. Their children, however, have romance on their minds. Wayne (Dick Haymes) falls head over heels for flashy bandstand singer Emily (Vivian Blaine), whilst Margy (Jeanne Crain) finds the man of her dreams in the worldly-wise journalist Pat (Dana Andrews). Rodgers and Hammerstein's score features the beautiful Academy Award-winning song "It Might as Well Be Spring", not to mention a rich tunestack of "That's for Me", "All I Owe Ioway", "Isn't It Kinda Fun?" and "It's a Grand Night for Singing".
The cast is simply superb. Charles Winninger, who had been the original Capt'n Andy in Oscar Hammerstein II's "Show Boat", is a warm presence as the father, with Fay Bainter (Oscar-winner for "Jezebel") also heavily scoring as the wife. Dick Haymes, with his clean-cut good looks and smooth crooning voice, is likewise a perfect fit for Wayne. Vivian Blaine, in probably her best film appearance up to that time, is a postive delight as Emily, and with her flaming red hair and gorgeous gowns, we can understand completely why Wayne would fall so quickly under her spell! Her film career all but ended with this movie but she later went on to find her greatest role as Miss Adelaide in the original Broadway production of "Guys and Dolls", later reprising her efforts for the film version.
Just as the 1933 version was intended as a star vehicle for Janet Gaynor, so too was this 1945 version. Jeanne Crain was the main starlet at Twentieth Century-Fox and the studio tailored this film as a showcase for her beauty and all-American wholesomeness. But, Crain was not a singer, so her voice was dubbed by Louanne Hogan (who later made a career out of dubbing for Crain in other films like "Margie" and "You Were Meant for Me").
The DVD looks fabulous and the original Technicolor negatives have been beautifully-restored for this new release. Audio commentary is provided by film historian Richard Barrios and Tom Briggs who co-wrote the subsequent 1996 Broadway version of the musical.
But the fun does not end there...
This new DVD set also includes the seldom-seen or heard 1962 remake of STATE FAIR. Since Oscar Hammerstein had by this point passed away, Richard Rodgers went back to the drawing-board and wrote several new songs for the score ("This Isn't Heaven", "Willing and Eager", "More Than Just a Friend", "Never Say 'No' to a Man", "The Little Things in Texas") joining the classic numbers from the '45 version.
Apart from the re-setting of the story to the annual Texas State Fair, the rest of the story plays out mostly in the same way including all the favourite storylines (the lovesick Blueboy and the spiking of Melissa's mincemeat). But to keep in step with modern audiences, a few of the characters were slightly changed with Wayne (played by Pat Boone) now a race car driver.
The performances here are also very fine. Tom Ewell, as Abel, gives a wonderful gravity to the story and Alice Faye (returning to movies after a 30-year retirement) invests a lot of heart, sincerity and knowing comedy to the role of Melissa. Young starlet Pamela Tiffin, as Margy, is the very picture of wide-eyed innocence and Pat Boone brings a lot of depth and earnestness to Wayne. Ann-Margret (at the very apex of her sex-kitten phase) and Bobby Darin are likewise wonderful as the objects of affection for Wayne and Margy respectively.
Filmed primarily on location, this STATE FAIR is a lot more expansive and cinematic than the 1945 version. The musical numbers are very well-executed, the big highlight perhaps Ann-Margret's steamy rendition of "Isn't It Kinda Fun?" with a group of red velvet-clad beatnik male dancers. Pat Boone's jubilant "That's for Me" and the aching ballad "It Might as Well Be Spring" (dubbed for Tiffin by voice double Anita Gordon) are also well-staged. Of the new numbers, perhaps the best is "This Isn't Heaven", a perfect dreamy ballad for crooner Bobby Darin. Pat Boone and Ann-Margret also make good with the pretty "Willing and Eager". "The Little Things in Texas" could have turned into a throwaway number but Alice Faye and Tom Ewell hit the mark beautifully.
The CinemaScope image has been cleaned up very well for the film's DVD debut. Audio commentary is provided by Pat Boone who offers some cherished memories of working with his co-stars and director Jose Ferrer.
Also featured on this 2-disc set is a documentary "From Page to Screen to Stage" charting the making of the various STATE FAIR's as well as the 1996 Broadway musical version; the pilot for the TV series starring Vera Miles and an excerpt from the 1954 Rodgers and Hammerstein/General Foods TV special, of Mary Martin performing "It Might as Well Be Spring".
An amazing DVD package and highly-recommended.

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