John Prine Live On Soundstage 1980 Review

John Prine Live On Soundstage 1980
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A great sounding show and excellent performance from all involved, heart-wrenching at times and belly-laugh inducing at others.
The DVD authoring isn't fancy but it all works.

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Star Trek - The Next Generation, Episode 154: Liaisons (1987) Review

Star Trek - The Next Generation, Episode 154: Liaisons  (1987)
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This episode deals with several alien representatives visiting the Enterprise and learning about the culture of the Federation
Lt. Worf is very annoyed by the person he is assigned to. Can he finish the assignment without losing his cool?

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Adventures of Rocky and Bullwinkle Vol. 5: La Grande Moose (1961) Review

Adventures of Rocky and Bullwinkle Vol. 5: La Grande Moose  (1961)
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Having bought the whole set, I strongly recommend them all!
This one has our heros trying to stop Boris & Natasha from pulling off their Box Top Robbery, Snidely prevents Dudley from marrying his sweetheart, Nell, Fractured Fairy Tales hops around with an Enchanted Frog-Prince, and in Aesop and Son, a Well-Learned Lesson is taught.

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The Remuda. Vaquero Two. The Buckaroos Review

The Remuda. Vaquero Two. The Buckaroos
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Both my husband and I enjoyed this DVD. It's an interesting look at the cowboy techniques for Oregon and Nevada. My husband didn't grow up in the ranching lifestyle, but I did and it's interesting to see the differences in the states. I'll be passing this on to my dad who has worked on some of these ranches.

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In a remote Nevada cow camp, they jingle in the remuda. Steam rises up off the horses backs. The jigger boss s rope whistles through the air, expertly landing on target. A buckaroo picks up a horse, halters and leads him to the corral. It s a ritual that seems almost choreographed, but to a buckaroo, it is just part of another day, an outgrowth of a tradition going back 300 years to the original Californio Vaqueros. Get a first-hand look at buckaroo life on remote outfits like the White Horse, YP and TS Ranches in Owyhee Country and learn the vaquero method for training horses from Buckaroo Richard Caldwell. Get a front row seat at the Jordan Valley Big Loop Rodeo, where they rope wild horses with a twenty-foot loop.

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Star Trek - The Next Generation, Episode 160: Attached (1987) Review

Star Trek - The Next Generation, Episode 160: Attached  (1987)
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For all the people who wanted Beverly Crusher and Jean-Luc Picard to finally come together, this is the video that you've been waiting for. The story starts out as Crusher and Picard beam to the planet Kes-Prytt to negotiate with the even-tempered Kes. However, the Prytt see this act as hostile, and capture both of them. Picard and Crusher navigate out of their cell, on the run to Kes territory. They trek through the planet, and one night, by a campfire, as they are able to read each other's minds because of the devices planet on the base of their necks, Beverly senses that Picard was once in love with her. They discuss this, and Picard admits that he was in love with her, but he was guilty when her former husband, Jack, died. They forget this, and each go to sleep. The next day, Riker negotiates with the Kes and the Prytt, convincing them to let Picard and Crusher beam back without any trouble. Picard and Crusher once again arrive at the Enterprise, and have their often dinner together. Picard asks Crusher if they should move forward from being friends, but Crusher denies, and leaves his quarters.
This was a really good video from the beginning, and in the middle you would think that Crusher and Picard would really get together in view of the discussions they have, but the don't. So, I really can't criticize Paramount, but don't watch this video in high hopes of Crusher and Picard getting together. In spite of all that, "Attached" was a really wonderful video.

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Dmitri Hvorostovsky - Russian Songs from the War Years Review

Dmitri Hvorostovsky - Russian Songs from the War Years
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Dmitri Hvorostovsky is overwhelming in this concert of war era songs, taken mostly from WWII, that Hvorostovsky interprets with such subtle intensity that one doesn't have to know the meaning of the words. The sound alone tells the story, and one finds the tears rolling down one's cheeks from the sheer beauty of it.
Hvorostovsky is one of the greatest baritones in operatic history, and has been Russia's gift to the world, as well as being one of its best ambassadors, bringing Russian music to a wide audience. From the song cycles of Georgi Sviridov, to the rousing folk songs, to the melodic, moving pieces in this concert, finer renditions cannot be found.
Set in the 6,500 seat concert hall of the State Kremlin Palace in Moscow, on April 8, 2003, Hvorostovsky stands in front of the orchestra and chorus in a black suit and open white shirt. The camera often focuses on his expressive face, which occasionally breaks into a smile that would melt the winter snow in Krasnoyarsk, the Siberian city that was his birthplace in 1962. There are occasional views of the tearful audience, and moments when they bring him flowers, which he accepts and places center stage.
Whether one sits and watches this astonishing singer, or just listens to his dark, rich voice, this DVD is a treasure for anyone who likes Russian music, or appreciates the best of all possible voices.
Constantine Orbelian is an award winning pianist and conductor, and has worked extensively with Hvorostovsy. Born in San Francisco, he is the only foreign artist to be awarded the title "Honored Artist of Russia", and here leads the Moscow Chamber Orchestra; also included in this program are the Style of Five Ensemble, the Yale Alumni Chorus, and the Spiritual Revival Choir.
Total running time is 59 minutes. There are no subtitles but the name of the song and composer are briefly put on the screen.
There is a booklet enclosure with short bios and text of the songs in English and transliterated Russian.
The song list: 1: "Soldiers are Coming", 2: "Dark is the Night", 3: "Unexpected Waltz", 4: "The Roads", 5: "On a Nameless Hill", 6: "Somewhere far Away", 7: "Katyusha", 8: "The Hills of Manchuria", 9: "The Sacred Stone", 10: "The Lonely Accordion", 11: "Cranes", 12: "The Last Battle", 13: "My Moscow".


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Garfield: Fantasies (Garfield's Babes and Bullets / Garfield's Feline Fantasies / Garfield : His Nine Lives) (1989) Review

Garfield: Fantasies (Garfield's Babes and Bullets / Garfield's Feline Fantasies / Garfield : His Nine Lives) (1989)
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I don't really remember much about the other two specials on this disk, I personally have been waiting a long time for Garfield, his nine live to come out.
His lives rang from being a prehistoric cave-cat, the beloved pet of an Egyptian pharaoh, the third he belongs to a girl named Chloe and they live in a "wonderland" like garden, the forth he belongs to a court musician, the next he's a stunt cat, then is my favorite life (he also says 6 must be his lucky number leading me to believe this is his favorite life too.) In which he is given to a little girl named Sara for her eight birthday along with piano lessons, he grows up with her as she grows into adulthood and become a piano player. The end of this story has always made me cry from the first time I saw it to this day. (and I'm 21 now) In life seven Garfield is a lab test subject that escapes and actually gets away in a most interesting manner. Number 8 is the life we all know and love in witch Garfield lives with John and Oddie. In this one we get to see Garfield in his first moments in the Italian restaurant he was born it before he is adopted by John. The ninth life Garfield give us a "sneak preview" of, Garfield and Oddie are astronauts going into space and has a great ending.

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Star Trek - The Next Generation, Episode 39: Time Squared (1987) Review

Star Trek - The Next Generation, Episode 39: Time Squared  (1987)
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Star Trek: TNG has, more than any other film or TV show, except perhaps the "Back to the Future" series, capitalized on terrific ideas involving time travel. In this, one of the series' best time conundrums, (I would rank it after "Cause and Effect" and "Timescape") the crew discovers a wandering shuttle that not only appears to belong to the Enterprise, but contains an exact double of Captain Picard. It is deduced that the new Picard has come from seven hours into the future, and that in his time, the enterprise was destroyed and he was the only survivor. Thus begins a gloriously suspenseful race against time (as usual) to discover what this Picard did that must be avoided. "Time Squared" is easily one of my favorite episodes, though I must admit to being thoroughly partial to the time travel ones. But even with my biases aside, this one has a terrific story and an involving mystery- the essence of any great episode.

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The Ballad of Ramblin' Jack (2000) Review

The Ballad of Ramblin' Jack (2000)
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I was fortunate enough to see this film at the 2000 Sundance Festival with a couple of musician friends. Leaving the theatre, we all agreed that it was the best single character documentary we had ever seen. Aiyana utelizes the help and stories from family and some very popular names in music to tell a wonderful life's story of her father, Jack Elliot, who may be the last true ramblin' man. He learned a great majority of his musical craft from spending time with Woody Guthrie. This was long after he had left his mother and father back in NYC. I can not possibly do the film justice by simply trying to summarize. There are only three things you need to know to make your decision by way of this armchair review. 1.) You will get to know the real Jack Elliot by way of many celebrities' stories as well as learning of Jack's own gentle and sometimes brutal honesty because that is what he was and is. 2.) Unless you have no hope of being anything but repulsed by hearing and learning about original and real "one man and his guitar" country / folk music, even though it is the foundation of where rock music comes from, you will like the music even more. And 3.) This film may violently burst the balloon of Bob Dylan fans that believe Dylan is a true original.

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adventures into his life that he seems more myth than man. After running away to join the rodeo at the age of fifteen, he traveled and sang with Woody Guthrie and became friend and mentor to Bob Dylan. His music helped ignite a folk revolution in thei'60s and has influenced some of the most popular musicians and performers of our day.Jack's daughter Aiyana had originally wanted to document the great rambler in action and bring his story to light. However, when she hit the road with him, the focus of the story turned from the roving cowboy's life on the road to the daughter's search for a dad who was rarely at home.Shot over the course of two years, the film skillfully weaves stellar performances, contemporary verite, candid interviews and a wealth of archival material including never-before-seen home movies from the Guthrie family's private collection resulting in a film that takes us beyond the legend and into the psyche of the man.

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VH1 (Inside) Out - Warren Zevon: Keep Me in Your Heart (2004) Review

VH1 (Inside) Out - Warren Zevon: Keep Me in Your Heart (2004)
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For those who were unable to see VH1's documentary of Zevon's work on his final album, "The Wind," will find themselves fortunate that this DVD is being released. While not a concert or a collection of videos, this is a big goodbye for Zevon, his family, friends, and fans.
The DVD follows Zevon's friend and well-known columnist Dave Barry as he spends a few weeks with the ailing rocker. The heart of the "tour" lies in the recording studio, where we see Zevon jamming with Bruce Springsteen and Dwight Yoakam, discussing songs with Ry Cooder and Billy Bob Thornton, chatting with Hunter S. Thompson. Inbetween the various clips are updates on Warren's condition; these are bittersweet reminders that a legend is slowly fading.
The focus here is entirely on "The Wind;" we hear raw clips of "Disorder in the House" (Zevond backed by The Boss" and a closing montage over which "Keep Me in Your Heart" plays, the closing track on Zevon's final album--and his life. It is a musical epitaph which even the most hardened individual will find themselves moved by. Indeed, it is difficult to keep from feeling a twinge of guilt and sadness when watching this; it is a deeply personal insight into the twilight of a musical genius. Yet it does end on a somewhat high note; Zevon's daughter gives birth to twins, naming one of them after her father.
The DVD will feature the entire VH1 special as well as 65 minutes of "bonus footage," which will undoubtedly be footage left on the cutting-room floor and possibly the two videos for "Disorder in the House" and "Keep Me in Your Heart." Any fan of Zevon will find this an essential part of their library.

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Star Trek - The Next Generation, Episode 103: Ensign Ro (1987) Review

Star Trek - The Next Generation, Episode 103: Ensign Ro  (1987)
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It was funny about 'Star Trek -- The Next Generation,' I was against the idea of the show from the beginning. The very idea of a sequel to the original show with a different cast...God, No! For the first several seasons, STNG was...Okay, I guess. It never did anything to change my initial opinion, however. The first season seemed to be a collection of rewrites of older episodes, but, very gradually, STNG seemed to get its space legs. Then, something (or, more accurately someone) very extraordinary happened.
Ro Laren happened.
Bajor happened.
(And from that a whole other series happened, but I shouldn't digress.)
Episode 103, "Ro Laren" was the beginning and an introduction to that Bajoran world, spearheaded by a (then) fairly unknown actress named Michelle Forbes. (Funny, but even now I don't know why she isn't better known.) There is a sincerity, and an honesty to the way she created Ro. The way Forbes and Patrick Stewart play off one another is a true delight. Near the end of the episode they do a scene that, no matter how many times I see it, I simply can not turn away from. For an instant we see through Ro's eyes, we can see some of the gears that make this most complicated Star Trek character tick. I bought that scene utterly. I totally bought Ensign Ro Laren and, I suppose, fell in love with her.
Forbes played Ro as a somewhat conflicted, mysterious character who didn't seem to be comfortable in her own skin. A female with a past, she became a breath of fresh air in what had become a too-perfect Star Trek world. But, more than that, she added a note of believability to this universe and began to make it live beyond the edges of the screen.
During a way too short run of six episodes, Michelle Forbes as Ro created a "believability factor" for the whole series which lasted far beyond her tenure (even though she had evaporated for all but one, very well-acted but thematically ill-conceived "wrap-up" episode in STNG's last season). I would like to save this episode (and Ms. Forbes performance) in a bottle. There's magic in here, along with the seeds of something that the producers of the show never quite realized. I'm going to buy all the "Ro Laren" episodes, then hoard them like gold coins I found by accident. My wife is a little jealous of Ro Laren, even though she won't admit it.
Michelle Forbes made Ro Laren live. I can't think of a better complement to any actor. Good for you, Michelle. Good for you.

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Pete Seeger: Live in Australia 1963 (1963) Review

Pete Seeger: Live in Australia 1963 (1963)
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OK, black & white, but that actually seems to add to the nostalgic aspect of this great look at folk music as presented by Pete Seeger in 1963. He went on a 22 country, 10-month world tour blessing the world with folk music and, himself, picking up some new folk music from other countries along the way. Seeger received a Grammy Lifetime Achievement Award (1993), and this DVD shows why. It's still hard to believe the folk singer was blacklisted in the USA.
Fortunately, Australia loved his music and overlooked his politics, giving him a warm welcome and preserved it on film. Then, after a long shelf rest, it was discovered, Acorn became involved in the restoration, and the rest of the story is in the 16 page booklet that comes with the DVD. Packed full of photos, history, and the DVD contents lists.
The product description lists many of the songs included in this DVD live performance, but special note should be given to a pair of special banjo renderings of the songs "Jesu, Joy of Man's Desiring" and "Allegretto from Beethoven's 7th Symphony." Wow. And Seeger even teaches the Aussie concert attenders to yodel to "Way Out There" a song done with banjo that was taken from "Sons of the Pioneers."
Another favorite of mine was "I Never Will Marry" plus one actually written by Bob Dylan but performed by Seeger, "A Hard Rain's A-Gonna Fall." Then you'll just have to sing along with "Michael, row The Boat Ashore" and "If I Had A Hammer" (Pete's song) and others.
The concert has a total of 29 musical numbers, ending with "I Know an Old lady Who Swallowed A Fly", fun for any age. There is at least 15 musical presentations as well as some interviews on the Extra Bonus Stuff. There is filmed performances of Lead Belly from 1945, the man who taught Pete Seeger to play the 12 string guitar. Seeger sings some of his songs as well.
This DVD is 160 total minutes of looking back at folk music of the Hootenanny (the word was coined by Seeger) years as well as an educational but enjoyable romp through the history of American Folk Music and some of its origin. Perhaps this DVD would be usable by music teachers. The extras include a method to single out just one song for replay. How easy is that?
Thanks Australian Broadcasting Corporation for helping give Pete Seeger folk music back the United States.

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Folk Icons: Pete Seeger is a beautifully filmed 105-minute concert showcasing one of the most provocative figures in music history. In 1963 Pete Seeger, blacklisted and barred from American television, fled the persecution of his homeland and embarked on a 10-month world tour. One of his first stops was Australia where he was welcomed with open arms and sold-out performances. This DVD not only presents a full concert filmed in Melbourne but also includes 55 minutes of bonus footage from various other Australian television appearances. Witness how one man, armed only with a banjo, a guitar and the power of song, captures the hearts and minds of a nation.
SONGS INCLUDE If I Had A Hammer Down By The Riverside The Bells Of Rhymney Goodnight Irene A Hard Rain's A-Gonna Fall Michael, Row The Boat Ashore Skip To My Lou The Wild Rover Woody Guthrie Medley Highland Laddie Kum Ba Ya Way Out There Living In The Country Windy Old Weather ...and many more
Folk Icons™ is an ongoing DVD series featuring live performances by the greatest legends of folk music, filmed all over the world from the 1950s through today. Beautifully transferred from the original masters, each of these DVDs features rare performances that have never been officially released on home video, and in many cases, were never broadcast. Each DVD is produced with the full support and cooperation of the artists or their estates. www.folkicons.com
SPECIAL FEATURES
Pete singing and discussing the songs of Lead Belly (also features 3 rare performances by Lead Belly filmed in 1945)
Interviews and performances on Australian news programs
16-page booklet featuring liner notes by Seeger biographer David K. Dunaway
Rare photographs, home movies and memorabilia

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Star Trek - The Next Generation, Episode 89: First Contact (1987) Review

Star Trek - The Next Generation, Episode 89: First Contact  (1987)
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This episode properly summarizes what can be expected on Earth if extraterrestrials were to suddenly appear and say, "Welcome to the universe!" Riker is part of a team on the surface of the planet Malcor carrying out observations of the civilization. A scientific team of Malcorians is about to carry out the launching of a spacecraft that will have warp capability so the Enterprise is there to evaluate the planet to determine if it should be extended an invitation to join the Federation. However, Riker is inadvertently caught in a riot and injured, losing his communicator. He is taken to a Malcorian hospital, where the doctors quickly determine that he has an alien internal structure.
This forces Picard to contact the planetary leader and reveal the existence of the Enterprise and the Federation. The head scientist of the Malcorian space project is overjoyed to learn of the Federation but the head of planetary security is deeply suspicious. However, the leader is a man with a level head and he agrees to hear Picard out and tour the Enterprise. As Riker begins to recover, he tries to escape from the hospital but in a bit of realistic comedic levity, a female Malcorian staff member agrees to help Riker escape, but only if he first makes love to her. While this may on the surface be absurd, given the number of humans that claim to have had a sexual encounter with a space alien, this event is plausible. The Malcorian chief of security orders the doctors to give Riker drugs that endanger his life so that he may be interrogated and the chief then tries to create a situation where Riker appears to shoot and kill him with his phaser. Fortunately, Riker is able to reset the phaser to stun before it is fired and both Riker and the security chief are beamed to the Enterprise where Dr. Crusher is able to save both of them. The episode concludes with the Malcorian leader recognizing that his planet is not ready for the Federation, but the head scientist of the Malcorian space projects asks to be allowed to become a member of the Enterprise crew. Picard grants her this permission.
The complete spectrum of reactions to the appearance of extraterrestrials, including the sexual lust, makes this an excellent episode. Absolute proof of intelligent extraterrestrials would be an enormous event, I have long considered it one of the most significant events that could ever occur to humanity, the others being absolute and irrefutable proof of a supreme being as in a God, the development of artificial intelligence and the absolute and irrefutable proof of life after death. Let us hope that if humans ever undergo the Malcorian experience, both sides are as realistic and reasonable as the Malcorian leadership and the Federation represented by the crew of the Enterprise.


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Star Trek - The Next Generation, Episode 173: Firstborn (1987) Review

Star Trek - The Next Generation, Episode 173: Firstborn  (1987)
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Worf takes Alexander to a Klingon outpost so the boy can observe their cultural heritage up close and personal. However, that night three assassins attack them. They survive in part because of the actions of K'Mtar, an adviser to the House of Mogh. When K'Mtar shows Worf that the knife of the assassin bears the symbol of the House of Duras. While the Enterprise begins looking for the Duras sisters, K'Mtar tries to inspire Alexander to become a warrior. But, as always, the boy resists the idea. However, when confronted with the evidence the Duras sisters not only deny they were involved in the assassination plot, they point out that the knife bears not only the symbol of the House of Duras, but the mark of Lursa's son. The twist is that Lursa only recently became pregnant. That would mean the knife produced by K'Mtar, comes from the future...
After several less than stellar stories involving Worf's Klingon heritage and his problems raising Alexander, "Firstborn" gets down to the basics. At long last, Worf, the only Klingon in Starfleet, recognizes the uniqueness of his son and finally grants him the right to follow his own destiny, no matter what the cost (apparently Alexander wants to a diplomatic peace-maker). Given all the time it has taken for this obvious idea to get through Worf's thick skull (it has all those bony ridges), this was a nice payoff to resolving that particular sub-plot. It was also nice to see an episode that makes subtle but appropriate use of time travel. An excellent final STNG "Klingon" episode.

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Star Trek - The Next Generation, Episode 164: The Pegasus (1987) Review

Star Trek - The Next Generation, Episode 164: The Pegasus  (1987)
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The conflicting demands of duty & conscience have formed one of the most basic themes of all 3 Star Trek series. "The Pegasus" represents one of the show's best treatments of that theme, a story of intrigue which poses some hard choices for Commander Riker. Riker's first commanding officer, Capt. (now Admiral) Eric Pressman enlists the Enterprise to salvage the remains of the Pegasus, an experimental starship which they served on together, until it was lost, years before. The Pegasus' wreckage still contains top-secret technology, now in danger of being stolen by Federation enemies. But Riker's current captain, Jean-Luc Picard, begins to suspect that the Pegasus has darker secrets which both Pressman & Riker are hiding from him. Picard challenges Riker, forcing him to re-evaluate choices he made as a young man & consider whether the secrets that he & Pressman are protecting are worth the cost.
Pressman is portrayed by Terry O'Quinn, whose performace surprisingly anticipates his role on the TV series "Millennium" as Peter Watts.
Another guest star, Michael Mack, turns in a wonderfully smooth & predatory performance as the enemy commander, Sirol. In two pivotal scenes, Picard & Sirol engage in darkly comic exchanges of diplomatic niceties, full of thinly-veiled threats. Mack reminds us of why even people who know history are willing to forget the absurd roots of this enemy race, the "Romulans," as a sort of alien version of the Roman Empire; instead, he focuses on the features which make them unique: their elaborate manners & catlike cruelty. Mack's casting also introduces the idea that Romulans come in more than one shade of olive!
The script also works in a few moments of lighter humor. The stiking thing is that these moments are actually done well--Star Trek has been using puckish humor unsuccessfully for decades! Don't miss Jonathan Frakes' Patrick Sterwart immitation, or Picard's embarrassment over being a children's "role model"!

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Seal - Live in Paris Review

Seal - Live in Paris
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Seal tends to have a very specific fan base, but anyone who owns even one Seal album is really going to enjoy this concert. I wasn't expecting a big production, and rightly so. Seal does little more than stand on stage grasping the mike stand as he sings. But this show is not about being a spectacle. It's the music that's on display here, and Seal and his four bandmates do such an incredible job playing these songs. Seal's voice is in top form, and the audience is 150% into the show. I was mesmerized during the entire show!
Most of the songs are from Seal IV and Seal II (1994 album), with a few from Seal I. Sadly, there is only one song on here from Human Being. That album definitely deserves much more exposure. The DVD quality is spectacular. The picture is crystal clear...never have I seen a concert DVD that captures the lighting effects so crisply. There is no bleeding of colors, absolutely zero pixelation! It's almost like being there. The DTS sound is amazing...this is how all concert DVD's should be mixed. I wouldn't be surprised if this DVD has better sound than that venue in Paris did!
One word of warning though. Amazon.com says this DVD package includes an audio CD of 14 tracks from the show. That is incorrect. This only has the DVD (and no special features). The only package that has a CD and DVD is the one that comes in a CD jewel case. Search "Seal Live in Paris" under Amazon's "Popular Music" category. I'd actually recommend buying the 2-disc set, as most of the songs are done with a different arrangement. I wish I'd bought that one instead of the DVD only.
Again, a fantastic concert!

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Diana Krall - Live at the Montreal Jazz Festival (2004) Review

Diana Krall - Live at the Montreal Jazz Festival (2004)
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I have to disagree with one of the previous reviewers regarding the sound on this recording. I found the sound to be superior to the "Live in Paris" DVD which has a consistent echo throughout the performance. I'm sure this was just an acoustic anomaly from the concert hall, but it's still distracting when listened to on head phones. This new DVD however has excellent sound.
The only complaint I have about it is the frantic camerawork throughout the concert. There are so many camera angles fading in and out that it gets tiring to watch. I just wished that the camera would sit still for at least 10 seconds. I get the feeling that it was directed by someone who has only directed 30 second commercials.
Of course, the music is terrific and includes all the new tunes that weren't on the Paris DVD. I also prefer the quartet sound to the full orchestra from the other disc.


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LIVE AT THE MONTREAL JAZZ FESTIVAL - DVD Movie

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